A few minutes later I was up, in my painting pants, making a three-song iTunes play list which I set on repeat for the morning's work. Then I set to stirring the paints with my sticks.
Using a high powered heat gun enables me to work fast, building layers quickly as I dry out a spread of paint in a few minutes. It literally boils the water (and other chemicals I don't want to think about absorbing into my skin and lungs) out of the paint on the paper -- it roasts and steams and fries and burns and bubbles up to bursting if I let the gun tarry. If I'm careful though, with a bit of patience I've been able to dry huge puddles and globs of paint quickly and preserve the smooth, wet texture and 'skin' of the paint.
I stopped between layers/coats to take pictures as I worked, and they follow below in sequence. The process, the steps, the layers themselves, are actually essential points of my response to the text. In them, and the completed piece, there is a story, and a way of telling it that details and reveals my understanding of the inspired words and the man he wrote of.
I join praise.




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